Going from station to the center along Corso del Popolo and turning left onto Via Cadorna (before the Teatro Comunale), we arrive in Piazza della Vittoria.
The large space surrounded by a roundabout comes dall'abbattimento the largest and most sumptuous palace existed in Treviso, built at the end of the fifteenth family Bresse (the same name Via leads back to Station). Undisputed symbol of prestige, was made available to Podesta Veneti to host distinguished personalities, among which deserves mention King Henry III of France, for the past Treviso back in 1574. The ambitious family Bresse but was overtaken by a financial failure and the Palace, after a long and gradual degradation, began to be demolished in 1824 with a job that took almost three years.
A century later, on November 4, 1931, King Vittorio Emanuele III there inaugurated the War Memorial. It is an imposing stone building in depicting the procession carrying the body of a Hero in the Temple of Glory. To achieve it were used 650 cubic meters of stone Finale Ligure and less than 8 tons of bronze. It was designed by sculptor Arturo Turin Ridi who won the contest launched by the Civic which refused the offer by sculptor Arturo Martini Treviso to give the city its own work for the construction of the monument.
With the War Memorial, the city honors the victims of the wars that since the fall of the Venetian Republic (12 May 1797) marked the path of cities across the Risorgimento, the strengthening of Italy and the liberation struggle of the Nazi military occupation (25 April 1945). The hundred and fifty Trevigiani path of the Republic of Venice to the Republic of Italy are documented by the Museo del Risorgimento whose development was spent on the last floor of the school that stands in Piazza della Vittoria, the corner of Via Cadorna and Via delle Mura Scaligere.
At North-East of Victory Square near the Church of Santo Stefano, Via opens Avogaria going down to the Bridge of Madoneta, where the waters come Siletto. The channel marked since the early centuries of the second millennium the western border of the Roman city, so the district of Saint Nicholas began to develop only since 1200, when this territory was absorbed into the city from new and wider perimeter of the medieval ramparts.
For the Alley Avogaria Via Castelmenardo is reached, the court of Bassanini, where you can see some small houses with porches and Barbican well preserved. Later we reach the bridge Castelmenardo meet again where the waters of Siletto. At this point you are returned to Castelmenardo Street and crossed the Via D'Annunzio, you can continue on Via San Nicolò characterized by several homes with porticos and frescoes.