Borgo Cavour from the street goes under the name Via Canova and after a curve, beyond a railing eighteenth century, the temple will face a circular dome with Doric, built in 1830 and dedicated to the Blessed Henry of Bolzano in place of his death (which took place in 1315) and, later, two buildings from the facade painted: the first is the Casa Robegan, home sixteenth, while the second is the fifteenth Casa Da Noal.
On the right side of Via Canova going to the Dome is now the seventeenth-century complex now occupied by offices of the state. In the past constituted Monster of Santa Maria Nova Benedictine nuns of the Cistercian (1393).
After the narrow, it left the English Channel Roggia that marked the edge of the Roman city. Along Via Roggia we arrive in Piazza Trentin in which you turn right and then right into Via Cornarotta where in the sixteenth century Palazzo Zuccareda has now established the Command of the Carabinieri. Also on the left will pass before the massive tower of Visdomini (XIII century).
Continuing along Via Cornarotta you arrive in Piazza del Duomo, which originally was to be at a higher (given the inputs to the Baptistery and the Church). The Baptistery, dedicated to tradition in San Giovanni Battista, is the only Roman church conservatasi in Treviso. The Church apparently had already-existing In the twelfth century. The outside has a sober look at the sides with gravel paths by pilasters at the upper wings connected by double arches. Inside, the basilica a single classroom, was originally frescoed be all but it remains to this track only in the two lateral apses of the fund.
Behind the stands Battistero the squat bulk of the Campanile of the Cathedral (not completed, according to tradition, for want of the Doges of Venice to prevent exceed the height of San Marco). Among the Bell Tower and the Baptistery, in the side of the Cathedral, the seat of the School of the Blessed which is accessed by an external staircase.
The Cathedral, dedicated to St. Peter's Church is the cathedral of the Diocese of Treviso. Outside shows stairway access, atrium six columns and a culmination of seven domes. It was built on an existing building between the eleventh and twelfth centuries but between 1400 and 1500 the church was rebuilt in the apse. Inside, the walls are clear, obvious that the tone Dignified architect Giordano Riccati gave the Church in the eighteenth century. Romanesque cathedral of the century there remain only some memories iconographic and the crypt which consists of three naves.
The cruise is a ceiling supported by 68 columns with capitals of different style. Returning to church, visiting the three chapels apse that are above the crypt. In the chapel on the left are granted great seventeenth-century paintings by Francesco Bassano and Antonio Zanchi. Over the balustrade opens the chapel that was sixteenth of the Blessed Sacrament. The Presbytery is dominated by the high high marble attributed to Tullio Lombardo (1516). Apse of the chapel right accepts works of Girolamo Aviano, Domenico Capriolo, Paris Bordon and Pomponio Amalteo. On the bottom dell'Annunziata is the Chapel (1519) decorated by Giovanni Antonio de Sacchis, said Pordenone, and Tiziano Vecellio.
Contiguous to the Cathedral is the Bishop's Palace, consists of two buildings close to the corner square. In continuation with the Palace is the house from the Horn in Venetian Gothic style of the fifteenth century. Arcone through the portico of the bishopric is received by the remains of early Christian baptistery of the fourth century. Deserves to be seen also the Diocesan Museum of Sacred Art (under canonical). In front of the Duomo is the Palace of the Court, built in the early 1800s during the Austrian domination.